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You may not engage in reverse engineering, disassembly, decompilation or otherwise deriving a source code form of the SOFTWARE by any method whatsoever.While ownership of the storage media in which the SOFTWARE is stored rests with you, the SOFTWARE itself is owned by Yamaha and/or Yamaha’s licensor(s), and is protected by relevant copyright laws and all applicable treaty provisions.
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Yamaha hereby grants you the right to use the programs and data files composing the software accompanying this Agreement, and any programs and files for upgrading such software that may be distributed to you in the future with terms and conditions attached (collectively, “SOFTWARE”), only on a computer, musical instrument or equipment item that you yourself own or manage. IF YOU HAVE DOWNLOADED OR INSTALLED THE SOFTWARE AND DO NOT AGREE TO THE TERMS, PROMPTLY DELETE THE SOFTWARE. IF YOU DO NOT AGREE WITH THE TERMS, DO NOT DOWNLOAD, INSTALL, COPY, OR OTHERWISE USE THIS SOFTWARE. THIS AGREEMENT IS BETWEEN YOU (AS AN INDIVIDUAL OR LEGAL ENTITY) AND YAMAHA CORPORATION ("YAMAHA").īY DOWNLOADING OR INSTALLING THIS SOFTWARE OR OTHERWISE RENDERING IT AVAILABLE FOR YOUR USE, YOU ARE AGREEING TO BE BOUND BY THE TERMS OF THIS LICENSE. YOU ARE ONLY PERMITTED TO USE THIS SOFTWARE PURSUANT TO THE TERMS AND CONDITIONS OF THIS AGREEMENT.
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As such, we didn’t feel that MIDI support was a must-have feature.PLEASE READ THIS SOFTWARE LICENSE AGREEMENT ("AGREEMENT") CAREFULLY BEFORE USING THIS SOFTWARE. Most new MIDI controllers and instruments plug in directly with USB, so if you’re just starting to build out your studio with new gear, you don’t need to worry about this.
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Most interfaces available today are capable of accurate, noise-free recording at 24-bit depth with a 96 kHz sampling rate, so we considered that a minimum requirement, as it allows these interfaces to theoretically record audio at a wider range of frequencies with more detail than the human ear can actually perceive.
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Sound quality: Our tests consistently show that sound quality isn’t a major distinguishing factor between interfaces.We assume that anyone looking at USB interfaces will already have recording software that they like.
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We appreciated the inclusion of this software, as well as free instrument plugins and software patches, but we didn’t consider them too strongly while making our recommendations. Included software: Most audio interfaces include some type of digital audio workstation software-usually, it’s less-powerful “lite” versions of the recording packages used by professionals, such as Ableton, ProTools, or StudioOne.We prioritized models that were lighter than two pounds and easy to transport in their original box so that you don’t have to search for a special carrying case. Portability: If you’d like to use your interface outside of the home studio, you’ll have to make space for it in your backpack or luggage.If you’re just going to use the audio interface with a computer in your home studio, this feature is less important. Using a USB audio interface with any iPad will require the purchase of extra adapters. iOS support: All audio interfaces should support macOS and Windows, but iPads have become a popular tool to capture performances and recordings without having to lug around a laptop, so we considered iOS support to be a valuable feature.We paid extra attention to the placement of clipping indicator lights and phantom power buttons. It should be easy to plug in a microphone or instrument, adjust gain levels, and monitor the signal level.
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Ease of use: The most important quality of a USB audio interface is usability-you shouldn’t have to dig through the manual just to connect the interface to your computer.